Wednesday, April 16, 2008

PLANS

Greetings greetings.

I continue to tempt with more information, but I'm actually having an increasingly difficult time contacting Katie. What with her phone being down and internet being a rarity, I can imagine it's difficult. But in any case, I'm doing some snooping about on my own.

Firstoff though, let's decide on what we want to work on this summer. I know that this month was actually our deadline; let's make it better late than never. I am completely down to create a performance based on ROH. I think it's something that resonates with us all, and is perfect for cannibalization/inspiration. I am really down with all our choices so far, but ROH seems the most useful, so if we all like that, I move that we set it and go forward from there.

Katie has a bunch of contacts in Richmond that might help us with warehouse space, and she is also much more in with the art crowd (Gallery 5, etc.), but one thing that I have been talking to people about is what's going on in the Shafer Street Playhouse this summer. It's the dilapidated, repurposed hospital that we use for most of our classes, with a theatre jammed into the bottom. I did Titus in a classroom there. The point is, it's shamefully underused during the summer. There are a handful of summer classes that meet now and then, but there's no theatre being done, and the students that are in charge of facilitating the student productions (Shafer Alliance Theatre) want to do a summer season with whoever's around. We probably wouldn't even have to speak with the University proper. SALT is mostly comprised of good friends and colleagues of mine, and from Katie's and my work, they have a lot of respect for what we do.

So that's a possibility. I'd still rather find a place of our own though. I just think Richmond is a perfect place to start: easy, cheap, close to home for most of us, and with a really strong burgeoning art scene.

Let me know how other possibilities are panning out. I'll keep trying to meet with Katie and see if we can make some real progress.

Tuesday, April 01, 2008

dreamin'

so i'm totally in love with the stories of red hanrahan -- they'd be a-okay with me. i figured i'd post a handful of the dream songs, though, since i love them too. i haven't read all of them (there are 77). they're so non-narrative that our challenge would be making something coherent out of them -- i suppose the opposite challenge to hanrahan or the alchemist (which I still haven't read yet).




Dream Song #4

Filling her compact & delicious body
with chicken páprika, she glanced at me
twice.
Fainting with interest, I hungered back
and only the fact of her husband & four other people
kept me from springing on her

or falling at her little feet and crying
'You are the hottest one for years of night
Henry's dazed eyes
have enjoyed, Brilliance.' I advanced upon
(despairing) my spumoni.—Sir Bones: is stuffed,
de world, wif feeding girls.

—Black hair, complexion Latin, jewelled eyes
downcast ... The slob beside her feasts ... What wonders is
she sitting on, over there?
The restaurant buzzes. She might as well be on Mars.
Where did it all go wrong? There ought to be a law against Henry.
—Mr. Bones: there is.

Dream Song #5

Henry sats in de bar & was odd,
off in the glass from the glass,
at odds wif de world & its god,
his wife is a complete nothing,
St Stephen
getting even.

Henry sats in de plane & was gay.
Careful Henry nothing said aloud
but where a Virgin out of cloud
to her Mountain dropt in light,
his thought made pockets & the plane buckt.
'Parm me, lady.' 'Orright.'

Henry lay in de netting, wild,
while the brainfever bird did scales;
Mr Heartbreak, the New Man,
come to farm a crazy land;
an image of the dead on the fingernail
of a newborn child.


Dream Song #11

His mother goes. The mother comes & goes.
Chen Lung's too came, came and crampt & then
that dragoner's mother was gone.
It seem we don't have no good bed to lie on,
forever. While he drawing his first breath,
while skinning his knees,

while he was so beastly with love for Charlotte Coquet
he skated up & down in front of her house
wishing he could, sir, die,
while being bullied & he dreamt he could fly—
during irregular verbs—them world-sought bodies
safe in the Arctic lay:

Strindberg rocked in his niche, the great Andrée
by muscled Fraenkel under what's of the tent,
torn like then limbs, by bears
over fierce decades, harmless. Up in pairs
go we not, but we have a good bed.
I have said what I had to say.


Dream Song #13

God bless Henry. He lived like a rat,
with a thatch of hair on his head
in the beginning.
Henry was not a coward. Much.
He never deserted anything; instead
he stuck, when things like pity were thinning.

So may be Henry was a human being.
Let's investigate that.
... We did; okay.
He is a human American man.
That's true. My lass is braking.
My brass is aching. Come & diminish me, & map my way.

God's Henry's enemy. We're in business ... Why,
what business must be clear.
A cornering.
I couldn't feel more like it. —Mr. Bones,
as I look on the saffron sky,
you strikes me as ornery.


Dream Song #14
Life, friends, is boring. We must not say so.
After all, the sky flashes, the great sea yearns,
we ourselves flash and yearn,
and moreover my mother told me as a boy
(repeatedly) 'Ever to confess you're bored
means you have no

Inner Resources.' I conclude now I have no
inner resources, because I am heavy bored.
Peoples bore me,
literature bores me, especially great literature,
Henry bores me, with his plights & gripes
as bad as achilles,

Who loves people and valiant art, which bores me.
And the tranquil hills, & gin, look like a drag
and somehow a dog
has taken itself & its tail considerably away
into mountains or sea or sky, leaving
behind: me, wag.

Dream Song #34

My mother has your shotgun. One man, wide
in the mind, and tendoned like a grizzly, pried
to his trigger-digit, pal.
He should not have done that, but, I guess,
he didn't feel the best, Sister,—felt less
and more about less than us . . . ?

Now—tell me, my love, if you recall
the dove light after dawn at the island and all—
here is the story, Jack:
he verbed for forty years, very enough,
& shot & buckt—and, baby, there was of
schist but small there (some).

Why should I tell a truth? when in the crack
of the dooming & emptying news I did hold back—
in the taxi too, sick—
silent—it's so I broke down here, in his mind
whose sire as mine one same way—I refuse,
hoping the guy go home.


Dream Song #47

He stared at ruin. Ruin stared straight back.
He thought they was old friends. He felt on the stair
where her papa found them bare
they became familiar. When the papers were lost
rich with pals' secrets, he thought he had the knack
of ruin. Their paths crossed

and once they crossed in jail; they crossed in bed;
and over an unsigned letter their eyes met,
and in an Asian city
directionless & lurchy at two & three,
or trembling to a telephone's fresh threat,
and when some wired his head

to reach a wrong opinion, 'Epileptic'.
But he noted now that: they were not old friends.
He did not know this one.
This one was a stranger, come to make amends
for all the imposters, and to make it stick.
Henry nodded, un-.


Dream Song #77 [the last one...]

Seedy Henry rose up shy in de world
& shaved & swung his barbells, duded Henry up
and p.a.'d poor thousands of persons on topics of grand
moment to Henry, ah to those less & none.
Wif a book of his in either hand
he is stript down to move on.

—Come away, Mr. Bones.

—Henry is tired of the winter,
& haircuts, & a squeamish comfy ruin-prone proud national
mind, & Spring (in the city so called).
Henry likes Fall.
Hé would be prepared to líve in a world of Fáll
for ever, impenitent Henry.
But the snows and summers grieve & dream;

thése fierce & airy occupations, and love,
raved away so many of Henry's years
it is a wonder that, with in each hand
one of his own mad books and all,
ancient fires for eyes, his head full
& his heart full, he's making ready to move on.

Saturday, March 15, 2008

on sources for new work

hey! so i've been thinking about our plan to create new work, using an existing source/sources as a base for narrative or imagery, and i've had a few (read: several indulgent) thoughts that may or may not be useful.

firstoff, using an existing story is potentially a really strong starting point, but as we've discussed, i think it's important that we don't choose something that "we'd love to put on stage." i mean, we don't want to do a stage adaptation of a book. i think we're beyond that, as tempting as it may be... that said, i think that an existing story is a really cool starting point for inspiring something completely new. taking elements and using them in our compositions... and what anne bogart says about distortion, etc.

so, sources i'm looking at:

fairy tales are cool, because they are simple and won't tempt us to get locked in. however, an actual novel that immediately came to my mind was paulo coelho's the alchemist (el alquimista). originally written in portugese, it's actually become pretty popular around the world. it's fairly short and straightfoward; it's a story of an andalusian shepherd who has a dream about finding treasure, and goes on a sort of allegorical spiritual/physical journey across a desert. there are a bunch of really interesting characters that sort of echo each other and it just seems like fertile ground for exploration and extrapolation. it's a really quick read, so if anyone wants to check it out and back me up or totally refute me that would be cool. it seems just compelling enough to look further into. very mysterious.

music is also something that struck me as incredibly useful. we could easily make a full piece of theatre based on one song; i mean i think we are totally good for that. perhaps a song with a story in it that we could draw from (joanna newsom's "monkey & bear," a song that i am perhaps already too attached to) or something instrumental that contributes a feel and certain structures (anything by tin hat trio is ripe for theatrical application), and that we could actually include in the piece, maybe even working with dedicated musicians (something i am personally fascinated by, even live musicians interacting viewpoints-style perhaps...) music is also good, i think, because it doesn't trap us as easily, but is perhaps more work.

so, in summation, check out: the alchemist, "monkey & bear," or the music of tin hat trio if you have a couple of minutes. see if it speaks to you. as far as a source goes, i am more concerned with the imagery that something creates for me than the actual content, and personally with these it's just like IMAGERY POW, so hopefully you might have a similar reaction. please respond with feedback, and other sources!

Thursday, March 13, 2008

c-ville spaces and so on

hey loved ones,

well, it's beautiful in virginia. my head is newly shorn (LOVEIT), my cat is loving but increasingly violent every time i try to stop petting her, and i'm sleeping a truly ursine amount.

apart from that, here are some red umbrella related things:

first off, i've been looking into c-ville spaces. some ideas that are fermenting right now are -- the old A&N space on the mall (totally empty, gutted in fact, and on the market), Play On Theater's space (the other side of the IX building, provided that they're dark when we want to perform), Gravity Lounge (Lauren has connections with the owner!), the Renaissance School (obviously a great, potentially-easy-to-get space, and probably free for the summer), the Bridge (a sweet, up-and-coming, gritty venue across from Spudnuts -- my friend Allen's company has an in with them).

i think the reason i'm pushing hard for c-ville is because, well, i've got some Life-Figuring to do. i didn't talk a lot about this in Cold Spring, but i'm starting to realize that all of us have at least a year-long plan for what their future looks like after this summer -- that is, all of us except me. so, yes. i just want to be able to balance our wonderful summer adventure with some sort of planning for, uh, the immediate rest-of-my-life. indeed.

i'll keep updating. a question: are we trying to spend nothing on a venue (i mean, obviously that's awesome), or are we willing to pay a bit? thoughts? also, ideal size of space?

love and things
s

Sunday, March 09, 2008

what up!?

this is an official test post.

conditions are perfect.

--s