Tuesday, April 01, 2008

dreamin'

so i'm totally in love with the stories of red hanrahan -- they'd be a-okay with me. i figured i'd post a handful of the dream songs, though, since i love them too. i haven't read all of them (there are 77). they're so non-narrative that our challenge would be making something coherent out of them -- i suppose the opposite challenge to hanrahan or the alchemist (which I still haven't read yet).




Dream Song #4

Filling her compact & delicious body
with chicken páprika, she glanced at me
twice.
Fainting with interest, I hungered back
and only the fact of her husband & four other people
kept me from springing on her

or falling at her little feet and crying
'You are the hottest one for years of night
Henry's dazed eyes
have enjoyed, Brilliance.' I advanced upon
(despairing) my spumoni.—Sir Bones: is stuffed,
de world, wif feeding girls.

—Black hair, complexion Latin, jewelled eyes
downcast ... The slob beside her feasts ... What wonders is
she sitting on, over there?
The restaurant buzzes. She might as well be on Mars.
Where did it all go wrong? There ought to be a law against Henry.
—Mr. Bones: there is.

Dream Song #5

Henry sats in de bar & was odd,
off in the glass from the glass,
at odds wif de world & its god,
his wife is a complete nothing,
St Stephen
getting even.

Henry sats in de plane & was gay.
Careful Henry nothing said aloud
but where a Virgin out of cloud
to her Mountain dropt in light,
his thought made pockets & the plane buckt.
'Parm me, lady.' 'Orright.'

Henry lay in de netting, wild,
while the brainfever bird did scales;
Mr Heartbreak, the New Man,
come to farm a crazy land;
an image of the dead on the fingernail
of a newborn child.


Dream Song #11

His mother goes. The mother comes & goes.
Chen Lung's too came, came and crampt & then
that dragoner's mother was gone.
It seem we don't have no good bed to lie on,
forever. While he drawing his first breath,
while skinning his knees,

while he was so beastly with love for Charlotte Coquet
he skated up & down in front of her house
wishing he could, sir, die,
while being bullied & he dreamt he could fly—
during irregular verbs—them world-sought bodies
safe in the Arctic lay:

Strindberg rocked in his niche, the great Andrée
by muscled Fraenkel under what's of the tent,
torn like then limbs, by bears
over fierce decades, harmless. Up in pairs
go we not, but we have a good bed.
I have said what I had to say.


Dream Song #13

God bless Henry. He lived like a rat,
with a thatch of hair on his head
in the beginning.
Henry was not a coward. Much.
He never deserted anything; instead
he stuck, when things like pity were thinning.

So may be Henry was a human being.
Let's investigate that.
... We did; okay.
He is a human American man.
That's true. My lass is braking.
My brass is aching. Come & diminish me, & map my way.

God's Henry's enemy. We're in business ... Why,
what business must be clear.
A cornering.
I couldn't feel more like it. —Mr. Bones,
as I look on the saffron sky,
you strikes me as ornery.


Dream Song #14
Life, friends, is boring. We must not say so.
After all, the sky flashes, the great sea yearns,
we ourselves flash and yearn,
and moreover my mother told me as a boy
(repeatedly) 'Ever to confess you're bored
means you have no

Inner Resources.' I conclude now I have no
inner resources, because I am heavy bored.
Peoples bore me,
literature bores me, especially great literature,
Henry bores me, with his plights & gripes
as bad as achilles,

Who loves people and valiant art, which bores me.
And the tranquil hills, & gin, look like a drag
and somehow a dog
has taken itself & its tail considerably away
into mountains or sea or sky, leaving
behind: me, wag.

Dream Song #34

My mother has your shotgun. One man, wide
in the mind, and tendoned like a grizzly, pried
to his trigger-digit, pal.
He should not have done that, but, I guess,
he didn't feel the best, Sister,—felt less
and more about less than us . . . ?

Now—tell me, my love, if you recall
the dove light after dawn at the island and all—
here is the story, Jack:
he verbed for forty years, very enough,
& shot & buckt—and, baby, there was of
schist but small there (some).

Why should I tell a truth? when in the crack
of the dooming & emptying news I did hold back—
in the taxi too, sick—
silent—it's so I broke down here, in his mind
whose sire as mine one same way—I refuse,
hoping the guy go home.


Dream Song #47

He stared at ruin. Ruin stared straight back.
He thought they was old friends. He felt on the stair
where her papa found them bare
they became familiar. When the papers were lost
rich with pals' secrets, he thought he had the knack
of ruin. Their paths crossed

and once they crossed in jail; they crossed in bed;
and over an unsigned letter their eyes met,
and in an Asian city
directionless & lurchy at two & three,
or trembling to a telephone's fresh threat,
and when some wired his head

to reach a wrong opinion, 'Epileptic'.
But he noted now that: they were not old friends.
He did not know this one.
This one was a stranger, come to make amends
for all the imposters, and to make it stick.
Henry nodded, un-.


Dream Song #77 [the last one...]

Seedy Henry rose up shy in de world
& shaved & swung his barbells, duded Henry up
and p.a.'d poor thousands of persons on topics of grand
moment to Henry, ah to those less & none.
Wif a book of his in either hand
he is stript down to move on.

—Come away, Mr. Bones.

—Henry is tired of the winter,
& haircuts, & a squeamish comfy ruin-prone proud national
mind, & Spring (in the city so called).
Henry likes Fall.
Hé would be prepared to líve in a world of Fáll
for ever, impenitent Henry.
But the snows and summers grieve & dream;

thése fierce & airy occupations, and love,
raved away so many of Henry's years
it is a wonder that, with in each hand
one of his own mad books and all,
ancient fires for eyes, his head full
& his heart full, he's making ready to move on.

1 Comments:

At 1:16 AM, Blogger cooper said...

i do enjoy those dream songs, but for some reason they don't generate the same amount of imagery for me, or at least imagery that i really connect with, as ROH or the alchemist does.

perhaps it's the mysticism in those works that really gets me. i am really down for any of these ideas though; i mean, the source is not really the point. i think ROH is nice because it kind of meets halfway between narrative and collection of images, and (assuming we don't do the "framing" thing) as long as we make sure not to wed ourselves to them, they will provide plenty of good stuff for us to chew on. not that i don't still love the alchemist, but maybe it's not as servicable. i have talks scheduled with katie (her phone is broken and doesn't have internet at her house), so we will discuss this and also hopefully have some preliminary information re: the space possibilities of richmond.

 

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